All ticket purchases are non-refundable.ĭiscovery Zone tickets are great for beginners or anyone looking to ski easier terrain. Quantities of discounted tickets are limited so buy early for maximum savings. Just need a lift ticket? Book your tickets in advance online and save up to 20% off the regular price. Otherwise, you can purchase your tickets at the ticket window at the regular rates when you visit Panorama. Staying with us? To get the best price on single-day lift tickets simply book your accommodation with Panorama Reservations online or by calling 1.800.663.2929 and add your lift tickets to your reservation. For example a 4 day lift ticket can be used any 4 days in a 5 day consecutive period. Ticket prices and seasonality is subject to change. ![]() Tickets of 3 days or more have one rest day included. Please note lift tickets must be used on consecutive days. If you are reloading and already have a RFID card you can skip purchasing another RFID card and go straight to the lift.īooking with accommodation? Save 25% on lift tickets. Each lift ticket and RFID card must be assigned to a specific guest and no more then one per guest. This deposit is refundable upon the return of the ticket to Guest Services for reuse. A $5 RFID card deposit must be purchased in addition to your lift ticket. Ticket prices and seasonality is subject to change.Īll skiers and riders need a RFID card to ride the lifts. For example a 4 day lift ticket can be used any 4 days in a 5 day consecutive period. The exhibition can be accessed here (audio feature included).Ī longer conversation between Co-curators Arshad Hakim, Vaishnavi Kambadur (MAP), and Samira Bose (AAA in India) on the process and methods behind the exhibition can be accessed online on AAA’s IDEAS Journal here.Please note lift tickets must be used on consecutive days. On closer inspection, the bahurupee emerges within the panorama, taking on volatile forms and constantly reconfiguring the world around them.įor Subramanyan, “all art objects are bahurupee, where one object tries to play the role of another without fully surrendering its identity.” Following his playful imaginary excursions and discovering “a magic in the making” in the panorama, the exhibition takes the viewer on a meandering journey through Subramanyan’s artwork and writing. Taking a non-linear and non-sequential method, we investigate the bahurupee-the impersonator, the imitator-which Subramanyan defines as a polymorph. The exhibition draws on two key ideas from Subramanyan’s writing: the “panorama,” from an introductory talk by Subramanyan titled “ Art and Craft Panorama in India,” in which he describes dense connections within the visual arts scene in India and the figure of the bahurupee from a catalogue text in 1994. ![]() He wrote extensively on art, craft, institution building, and negotiating with government bodies for the preservation of cultural forms. His multi-fold artistic practice includes paintings, outdoor murals, terracotta, and toys. ![]() Having studied in Shantiniketan in the 1940s, he moved to Baroda in 1951 and was instrumental in shaping the newly emerging Faculty of Fine Arts at MS University of Baroda. Subramanyan (1924–2016) was a renowned artist, writer, and educator. Subramanyan’s writing as a starting point and guiding matrix, the exhibition forms poetic frameworks around his intuition, curiosity, and material knowledge, and explores these as the basis of his engagement with his surroundings. Subramanyan is an online exhibition that brings together materials from the Museum of Art & Photography, Bangalore, and the digitised archives of Asia Art Archive in India. Bahurupee in the Panorama: Writing and Artwork of K.
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